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<channel>
	<title>Laurel Hauge</title>
	<link>https://laurelhauge.com</link>
	<description>Laurel Hauge</description>
	<pubDate>Sun, 21 Jun 2026 21:31:39 +0000</pubDate>
	<generator>https://laurelhauge.com</generator>
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	<item>
		<title>Laurel Hauge</title>
				
		<link>https://laurelhauge.com/Laurel-Hauge</link>

		<pubDate>Mon, 04 May 2020 18:38:00 +0000</pubDate>

		<dc:creator>Laurel Hauge</dc:creator>

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		<description>Laurel Hauge</description>
		
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		<title>Selected Works</title>
				
		<link>https://laurelhauge.com/Selected-Works</link>

		<pubDate>Mon, 11 May 2020 18:09:49 +0000</pubDate>

		<dc:creator>Laurel Hauge</dc:creator>

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		<description>Selected Works</description>
		
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		<title>Help Me Help You</title>
				
		<link>https://laurelhauge.com/Help-Me-Help-You</link>

		<pubDate>Sun, 21 Jun 2026 21:23:17 +0000</pubDate>

		<dc:creator>Laurel Hauge</dc:creator>

		<guid isPermaLink="true">https://laurelhauge.com/Help-Me-Help-You</guid>

		<description>
	Help Me Help YouHelp Me Help You gives back time to participants by offering assistance within a designated space. Visitors are invited to use the time they might have set aside to “see art” to take care of tasks related to the maintenance of their professional, civic, and personal standings. Tasks may include updating a resume, paying a parking ticket, signing divorce papers, among many other dreaded forms of life’s admin.


&#60;img width="2794" height="3492" width_o="2794" height_o="3492" data-src="https://freight.cargo.site/t/original/i/b8c3d6890976de791293abe1504c68cd6238bcfedb3cadba4011219fde3c896b/420-Door_IMG_2332.jpg" data-mid="249680510" border="0"  src="https://freight.cargo.site/w/1000/i/b8c3d6890976de791293abe1504c68cd6238bcfedb3cadba4011219fde3c896b/420-Door_IMG_2332.jpg" /&#62;
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		<title>As Needed</title>
				
		<link>https://laurelhauge.com/As-Needed</link>

		<pubDate>Sun, 21 Jun 2026 17:43:45 +0000</pubDate>

		<dc:creator>Laurel Hauge</dc:creator>

		<guid isPermaLink="true">https://laurelhauge.com/As-Needed</guid>

		<description>
	As NeededSituations in which having a napkin in your pocket or bag may prove useful: drying a chair, bench, or bike seat after it's rained; cleaning hands after a meal on the go; wiping grease out of a tupperware after eating a packed lunch at work; brushing something off a bus seat; or blowing your nose.
The napkins made available in this work are sourced from the various collections my partner and I keep in our bags, coat pockets, kitchen drawer, and by our front door for situations such as those listed above. We have taken possession of these napkins after being given more than we needed from restaurants and events, in the bags of take out orders, with beverage service on planes, by accidentally taking too many, etc.
Viewers are welcome to take one, or more, as needed.

&#60;img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/ac91b4f8e9db10d2fe45a8cf47093c005330ff4de5dd21b7f3d2b7e9414a9318/_DSF6456.jpg" data-mid="249677953" border="0"  src="https://freight.cargo.site/w/1000/i/ac91b4f8e9db10d2fe45a8cf47093c005330ff4de5dd21b7f3d2b7e9414a9318/_DSF6456.jpg" /&#62;
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&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/d66a75e31e5ceb5b602c6da7d12d41bcf4914eb7ecd0f5de94d63f1c70d6cd61/_DSF6457.jpg" data-mid="249677954" border="0"  src="https://freight.cargo.site/w/1000/i/d66a75e31e5ceb5b602c6da7d12d41bcf4914eb7ecd0f5de94d63f1c70d6cd61/_DSF6457.jpg" /&#62;

																																																																																					As Needed, 2025
Ikea napkin holder, unused napkins furnished by the artist
Documentation of the exhibition&#38;nbsp;As Needed at
Appendix Gallery
January 19–March 29, 2026
915E 60th Street, Floor 2. Chicago, ILPhotos by Lele Buonerba
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		<title>Public Drop-Off Point</title>
				
		<link>https://laurelhauge.com/Public-Drop-Off-Point</link>

		<pubDate>Sun, 21 Jun 2026 21:31:39 +0000</pubDate>

		<dc:creator>Laurel Hauge</dc:creator>

		<guid isPermaLink="true">https://laurelhauge.com/Public-Drop-Off-Point</guid>

		<description>
	Public Drop-off PointSince 2019, I have been collecting “hard-to-recycle” trash from my friends, mother, and roommatesto be shipped to TerraCycle for recycling. TerraCycle organizes the collection of this type of waste on behalf of companies such as Britta, Taco Bell, and Gerber which sponsor each program. In the Spring of 2025, Gallery 400—the exhibition space for my MFA thesis show—became a public drop-off point for these programs. The address and hours were listed on the TerraCycle website for the duration of the exhibition.Public Drop-off Point, 2025–ongoing


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&#60;img width="3200" height="2133" width_o="3200" height_o="2133" data-src="https://freight.cargo.site/t/original/i/952eb2f6883ed373ef3e1fc041b7ae22f12cbc3345c5f59e01ea50819e3bbf98/_DSC4429.jpg" data-mid="249680579" border="0"  src="https://freight.cargo.site/w/1000/i/952eb2f6883ed373ef3e1fc041b7ae22f12cbc3345c5f59e01ea50819e3bbf98/_DSC4429.jpg" /&#62;

Documentation of the 2026 UIC MFA Thesis show at Gallery 400
Apr 01–May 03, 2025


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	<item>
		<title>Resume</title>
				
		<link>https://laurelhauge.com/Resume</link>

		<pubDate>Wed, 26 Mar 2025 21:19:29 +0000</pubDate>

		<dc:creator>Laurel Hauge</dc:creator>

		<guid isPermaLink="true">https://laurelhauge.com/Resume</guid>

		<description>
	Resume2024–Ongoing
Toner on paper, double-sided
27.9 × 21.6 cm (11 × 8.5 inches) each
This resume accounts for all the berets that have come in and out of my life between the first one I ever borrowed in 2009 to the beret I recently purchased through the second hand clothing platform Vinted.&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/2dd8646d7b057847fb4951aa53cdf3878b25dee9acfb35623bab27687e1c68d1/Berets_v5.jpg" data-mid="228838952" border="0"  src="https://freight.cargo.site/w/1000/i/2dd8646d7b057847fb4951aa53cdf3878b25dee9acfb35623bab27687e1c68d1/Berets_v5.jpg" /&#62;
</description>
		
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	<item>
		<title>Fine Art Services</title>
				
		<link>https://laurelhauge.com/Fine-Art-Services</link>

		<pubDate>Mon, 29 May 2023 09:36:16 +0000</pubDate>

		<dc:creator>Laurel Hauge</dc:creator>

		<guid isPermaLink="true">https://laurelhauge.com/Fine-Art-Services</guid>

		<description>Fine Art Services</description>
		
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	<item>
		<title>No More Than 10%</title>
				
		<link>https://laurelhauge.com/No-More-Than-10</link>

		<pubDate>Wed, 21 Feb 2024 22:46:36 +0000</pubDate>

		<dc:creator>Laurel Hauge</dc:creator>

		<guid isPermaLink="true">https://laurelhauge.com/No-More-Than-10</guid>

		<description>
	No More Than 10%This publication acts as a tongue-in-cheek critique as well as an ode to the idiosyncracies of the contemporary art fair circuit. Presenting themselves and their most desireable works within temporary wall constructions that sometimes feel closer to labirinths for lab mice rather than the idealized white cube they seem to be derived from, gallerists and dealers make every effort to keep their booths pristine. But after the hours of work – installing, socializing, selling – rise into the double digits, one is forced to plug in their most essential devices, often bearing Apple logos: phones, tablets, and laptops. The “phone pictures” collected in this book present a dizzying sequence of corners, floors, and carpets punctuated by strewn cables and devices oftentimes placed curiously close to works of art.

&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/47e36e8658ee21ae6553dfad86d702cea8fd3d85cba981881e22ce0eb83a8c8e/Laurel-Hauge_No-More-Than-10p_1.jpg" data-mid="205175706" border="0"  src="https://freight.cargo.site/w/1000/i/47e36e8658ee21ae6553dfad86d702cea8fd3d85cba981881e22ce0eb83a8c8e/Laurel-Hauge_No-More-Than-10p_1.jpg" /&#62;
&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/01ab94d646f0ecc57255550e97481c28959d49f90e3552c6599b8f40b4fe9c11/Laurel-Hauge_No-More-Than-10p_2.jpg" data-mid="205175707" border="0"  src="https://freight.cargo.site/w/1000/i/01ab94d646f0ecc57255550e97481c28959d49f90e3552c6599b8f40b4fe9c11/Laurel-Hauge_No-More-Than-10p_2.jpg" /&#62;
&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/996ce8298dcce8404c768310bb11d786fb0dedeff8cfb0af8bf8d1af198030c7/Laurel-Hauge_No-More-Than-10p_3.jpg" data-mid="205175708" border="0"  src="https://freight.cargo.site/w/1000/i/996ce8298dcce8404c768310bb11d786fb0dedeff8cfb0af8bf8d1af198030c7/Laurel-Hauge_No-More-Than-10p_3.jpg" /&#62;
&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/903e9533981374b1cd8bc5c1a906bcde4027785f2abb0dcfa34fbf18cde273a7/Laurel-Hauge_No-More-Than-10p_4.jpg" data-mid="205175709" border="0"  src="https://freight.cargo.site/w/1000/i/903e9533981374b1cd8bc5c1a906bcde4027785f2abb0dcfa34fbf18cde273a7/Laurel-Hauge_No-More-Than-10p_4.jpg" /&#62;
&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/f68269fda65f32aa72a59c355b7598de4fc668c51bced90ff26dbbe06bc25f6c/Laurel-Hauge_No-More-Than-10p_5.jpg" data-mid="205175710" border="0"  src="https://freight.cargo.site/w/1000/i/f68269fda65f32aa72a59c355b7598de4fc668c51bced90ff26dbbe06bc25f6c/Laurel-Hauge_No-More-Than-10p_5.jpg" /&#62;
&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/055706a0c7f92f6df4702a862dacf3007709b3d9c0fa04b0f8c967ed150aac2f/Laurel-Hauge_No-More-Than-10p_6.jpg" data-mid="205175711" border="0"  src="https://freight.cargo.site/w/1000/i/055706a0c7f92f6df4702a862dacf3007709b3d9c0fa04b0f8c967ed150aac2f/Laurel-Hauge_No-More-Than-10p_6.jpg" /&#62;

Stitch-bound publication, 36 pages, 19 × 14 cm
Edition of 200, hand-numbered
Published by Have a Nice Day Press, Milan, Italy
</description>
		
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	<item>
		<title>Art Work</title>
				
		<link>https://laurelhauge.com/Art-Work</link>

		<pubDate>Wed, 21 Feb 2024 23:13:37 +0000</pubDate>

		<dc:creator>Laurel Hauge</dc:creator>

		<guid isPermaLink="true">https://laurelhauge.com/Art-Work</guid>

		<description>
	Art Work
&#60;img width="2362" height="2953" width_o="2362" height_o="2953" data-src="https://freight.cargo.site/t/original/i/bbd3e4718c8383f1aa30ebffac2fbd42c840a53c71bb0e859f60a20c08ed3aaa/Laurel-Hauge_Art-Work_2023_2.jpg" data-mid="205176368" border="0"  src="https://freight.cargo.site/w/1000/i/bbd3e4718c8383f1aa30ebffac2fbd42c840a53c71bb0e859f60a20c08ed3aaa/Laurel-Hauge_Art-Work_2023_2.jpg" /&#62;
&#60;img width="2362" height="2953" width_o="2362" height_o="2953" data-src="https://freight.cargo.site/t/original/i/c869b6566f02dfb167198cbe761264175cb54bbab6e4dbfbd9fce18b081747c7/Laurel-Hauge_Art-Work_2023_1.jpg" data-mid="205176367" border="0"  src="https://freight.cargo.site/w/1000/i/c869b6566f02dfb167198cbe761264175cb54bbab6e4dbfbd9fce18b081747c7/Laurel-Hauge_Art-Work_2023_1.jpg" /&#62;
&#60;img width="4430" height="2953" width_o="4430" height_o="2953" data-src="https://freight.cargo.site/t/original/i/e51a9248e0d0c15a981308311cb2450d2162d3752c63e875ab3d4a26cff7a48b/Laurel-Hauge_Art-Work_2023_4.jpg" data-mid="205176370" border="0"  src="https://freight.cargo.site/w/1000/i/e51a9248e0d0c15a981308311cb2450d2162d3752c63e875ab3d4a26cff7a48b/Laurel-Hauge_Art-Work_2023_4.jpg" /&#62;
&#60;img width="4430" height="2953" width_o="4430" height_o="2953" data-src="https://freight.cargo.site/t/original/i/c5cc3018c5fe7c7d39beecc0508d639b1d3cb8f3b6a0eaa06930139f0798abb7/Laurel-Hauge_Art-Work_2023_3.jpg" data-mid="205176369" border="0"  src="https://freight.cargo.site/w/1000/i/c5cc3018c5fe7c7d39beecc0508d639b1d3cb8f3b6a0eaa06930139f0798abb7/Laurel-Hauge_Art-Work_2023_3.jpg" /&#62;

Scuff marks and dust on plinth100 × 63 × 120 cm


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	<item>
		<title>Exhibition Management</title>
				
		<link>https://laurelhauge.com/Exhibition-Management</link>

		<pubDate>Mon, 29 May 2023 09:56:23 +0000</pubDate>

		<dc:creator>Laurel Hauge</dc:creator>

		<guid isPermaLink="true">https://laurelhauge.com/Exhibition-Management</guid>

		<description>
	Exhibition ManagementWhether for the presence of sensitive content, insurance and loan terms, or matters of conservation, the signage displayed in cultural institutions is meant to mediate viewers’ experiences. This series employs the language and communicative structures from such signage in an effort to examine and question their guidance and direction. If art is something truly subjective, what is to be said for the employment of these signs in order to preface – or limit – one’s experience?
These works are shown in the sort of aluminum snap-frames, floor stands, and table-top displays often found in cultural institutions. These supports are designed to allow for content to be quickly exchanged as collection works go out on loan, galleries close for exhibition turnover, and works with sensitive content are installed. And just like the supports they are displayed in, the works adapt to the context in which they are presented, depending on the standard print format, content, or language of the region and exhibition.


&#60;img width="1365" height="2048" width_o="1365" height_o="2048" data-src="https://freight.cargo.site/t/original/i/44bcf9c3a6bbc97a739ee39265956bd6b2a5c5c307e3f54b34ad52794525a60a/_DSF2306.jpg" data-mid="180276264" border="0"  src="https://freight.cargo.site/w/1000/i/44bcf9c3a6bbc97a739ee39265956bd6b2a5c5c307e3f54b34ad52794525a60a/_DSF2306.jpg" /&#62;
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